Animate the camera’s position however ensure that you do not go overboard with the amount of movement as too much will give away that the screen is just a compilation of flat picture layers. To move the camera, in the controls panel activate keyframing for the camera’s position. The different layer depths result in a parallax effect when the Camera is moved which is what happens in real life. As before, increase the scale to bring the background to the correct size. Now for the background layer, doing the same thing, increase how far back it is in Z space. Because the Midground layer has been pushed back in space, it no longer fills the screen anymore, to rectify this, increase the scale until it looks like it did before. Under the transform, set the Position to something negative like -500 the exact number depends on the picture you use and how far it should appear from the camera. Select the midground layer and go into the controls panel. In 2D mode, its possible to convert Cartesian to Polar (set the X and Y values) or vice versa, (set the r and theta values). LeiaPix Converter is a free online image processing tool that helps users convert 2D images into exquisite 3D light field images in real time. Geared toward all types of users, it features approachable options. The Foreground layer will remain where it is. Coordinates Converter is a software that gives you the possibility to convert coordinates in 2D or 3D mode on the fly. Now that we have isolated the foreground, midground, and background, select the composite shot layers and change them from 2D to 3D – this will automatically create a new Camera. Lastly, duplicate the Midground layer, rename the duplicate Background and delete all of the masks present in the background layer. As before, begin to mask around the elements that are present in the appropriate depth from the camera – in this instance, these midground elements include the waterline, the near distant mountains, and the tree line. Temporarily hide the Forground layer while working in the Midground layer to be able to better see what you’re doing. Then, in the Midground layer delete all of the masks. With the foreground isolated, duplicate the layer and rename the duplicate Midground. In the Mask controls, Keep the Feather Strength of the foreground object masks low to preserve the sharp edges however, for the terrain, increase the Feather Strength so it fades in more drastically. 2D to 3D: 2D Input Images to 3D Model, Using MATLAB 2019b, JPEG,JPG,TIF,DICOM. We used a separate mask for the terrain of the foreground so we can vary the feathering. Download and share free MATLAB code, including functions, models, apps, support packages and toolboxes. Next, create a Rectangular mask for the bottom of the frame, and position it accordingly. The mask for this must be precise as rough edges will make it obvious that the scene is a cut-out. Go into the freehand mask tool and mask around any of the shapes that are in the foreground to isolate it from the background – in this instance, we masked around the house. To keep track of the resulting images, rename the current image layer to Foreground. Begin by creating a new Composite Shot and moving the 2D image onto the timeline.
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